2nd Day & the End of the World
by Sara Koppel
Denmark 2025
Sections
SectionX
Experiments of visual artists and alternative filmmakers, brought together in various avant-garde horror screenings, highlight the personality of this SectionX – breaking new ground in cinema to manifest the underground spectre of horror.
A Stable Marriage
by Josephine Decker
USA 2026
Biophobia
by Frederico Majerus
Luxembourg 2025
Blessing
by Francisco Lacerda
Finland 2026
Burned Cans For Aluminum Children
by Robert Kleinschmidt
USA 2025
Chronovisor
by Jack Auen, Kevin Walker
USA 2026
Eye Jam
UK 2025
Gobbledygook
by Lizzete Flores, Nathaniel Elegino
USA 2025
Hatker
by Alejandro Ariel Martin
Argentina 2025
Imago
by Ariel Zengotita
USA 2025
Kunskap ar makt
by Javier Mars
Sweden 2025
Man Eating Pussy
by Emily Lawson
Canada, USA 2025
Mancave
by Fredrik S. Hana
Norway 2026
Maribel, Forever
by Marc Martínez Jordán
Spain 2026
Metanoia
by Mike Pecci
USA 2025
Museum of Regret
by Skye Braband
USA 2025
Pick It Till It Bleeds
by Christina Dovolis, Tavis Putnam
USA 2025
Pure Defense
by George Pedrosa
Brazil 2025
Relieved
by Steffen Geypens
Belgium 2026
Seismic Brain Implosion
by Alistair Quak
Singapore 2025
Sunshine Express
by Amirali Navaee
Iran 2025
The End
by Niki Lindroth von Bahr
Sweden, Denmark, France 2026
The Shirt Off Your Back
by David Robinson-Smith
Australia 2025
The Spectre
by Jiyuan Ler
Singapore, USA 2025
Tongue
by Lim Da seul
South Korea 2025
TV or The Disturbance on Forest Hill Road
by Frederic Siegel
Switzerland 2025
Twenty-Four Seven Thousand Nights
by Francisca Ponce Sousa
Mexico, Portugal 2026
Variations on Violence
by Zachary Aaron Nichols
USA 2026
Venenus
by Marie Fages
France, Portugal 2025
Yucky Guy
by Alan Resnick
USA 2025